close up of red curtains

Visit

The Valentine’s rich history, dating back to 1895, adds to its allure, making it a must-visit destination for art lovers and history enthusiasts alike. Visitors can also explore the vibrant surrounding area, filled with dining and entertainment options.

close up of red curtains

Visit

The Valentine’s rich history, dating back to 1895, adds to its allure, making it a must-visit destination for art lovers and history enthusiasts alike. Visitors can also explore the vibrant surrounding area, filled with dining and entertainment options.

close up of red curtains

Visit

The Valentine’s rich history, dating back to 1895, adds to its allure, making it a must-visit destination for art lovers and history enthusiasts alike. Visitors can also explore the vibrant surrounding area, filled with dining and entertainment options.

Experience the Valentine

The Valentine Theatre offers a memorable experience in the heart of downtown Toledo, where historic elegance meets outstanding live entertainment. With a wide range of performances—from Broadway shows and concerts to community productions and special events—the theatre welcomes audiences of all ages to enjoy the magic of the performing arts in a beautifully restored, century-old venue.

Visitors can expect easy access to parking, welcoming staff, and a comfortable, intimate atmosphere that brings each performance to life. Whether you’re a long-time patron or attending your first show, the Valentine Theatre invites you to be part of Toledo’s vibrant cultural scene.

Experience the Valentine

The Valentine Theatre offers a memorable experience in the heart of downtown Toledo, where historic elegance meets outstanding live entertainment. With a wide range of performances—from Broadway shows and concerts to community productions and special events—the theatre welcomes audiences of all ages to enjoy the magic of the performing arts in a beautifully restored, century-old venue.

Visitors can expect easy access to parking, welcoming staff, and a comfortable, intimate atmosphere that brings each performance to life. Whether you’re a long-time patron or attending your first show, the Valentine Theatre invites you to be part of Toledo’s vibrant cultural scene.

Experience the Valentine

The Valentine Theatre offers a memorable experience in the heart of downtown Toledo, where historic elegance meets outstanding live entertainment. With a wide range of performances—from Broadway shows and concerts to community productions and special events—the theatre welcomes audiences of all ages to enjoy the magic of the performing arts in a beautifully restored, century-old venue.

Visitors can expect easy access to parking, welcoming staff, and a comfortable, intimate atmosphere that brings each performance to life. Whether you’re a long-time patron or attending your first show, the Valentine Theatre invites you to be part of Toledo’s vibrant cultural scene.

Accessibility

The Valentine Theatre is committed to presenting performances that are accessible, inclusive, and welcoming to all patrons.  In October 2022, the Valentine was designated a Certified Autism CenterTM through The International Board of Credentialing and Continuing Education Standards (IBCCES), a global leader in online training and certification programs. Our staff and many of our volunteer ushers have completed training and certification in best practices when assisting individuals with autism, autism spectrum disorder, and sensory sensitivities.

Sensory-Friendly / Relaxed Performances

The Valentine Theatre’s Weekend Family Series is now sensory-friendly.  Sensory-Friendly/Relaxed performances are for everyone and include minor accommodations for patrons with autism spectrum disorders or other sensory sensitivities. The performances provide an opportunity for all families to enjoy a live theatre performance together in a relaxed, inclusive environment. Modifications typically available at Sensory-Friendly / Relaxed Performances:


  • Mitigation of sudden, loud sounds.

  • Low-level lighting throughout the performance

  • Patrons are welcome to talk, sing, and move throughout the performance

  • Quiet retreat space in our Founder’s Room (located off the Grand (mural) Lobby) with soft seating and relaxing activities

  • Families are encouraged to bring their own calming and motivational systems for their child(ren)

  • A limited number of fidgets and headphones are available to borrow from the Box Office


Americans with Disabilities Act and Ohio law

In compliance with the Americans with Disabilities Act and Ohio law, the producer of the performance, as the renter of the Valentine theatre, has agreed to provide services for the visually impaired and hearing impaired, if requested by patrons. We recommend you notify the Valentine Theatre of the need for an audio describer or sign language interpreter, or any other assistive service, at the time you place your ticket order, at the latest, since these services can take a significant amount of time to arrange. The Valentine theatre will notify the renter of the theatre of the request, which bears sole responsibility for providing these services. The Valentine Theatre is also wheelchair accessible.

close up of valentine seating
cac logo

In October 2022, the Valentine was designated a Certified Autism CenterTM through The International Board of Credentialing and Continuing Education Standards (IBCCES), a global leader in online training and certification programs.

Assistive Listening Devices

We have assistive listening devices available through our Box Office.

Wheelchair Accessibility

The Valentine Theatre is handicap accessible with designated seating on the main (first) floor of the theatre and the balcony. All floors are accessible by elevator, and handicap accessible restrooms are located on the main floor and balcony.

Accessibility

The Valentine Theatre is committed to presenting performances that are accessible, inclusive, and welcoming to all patrons.  In October 2022, the Valentine was designated a Certified Autism CenterTM through The International Board of Credentialing and Continuing Education Standards (IBCCES), a global leader in online training and certification programs. Our staff and many of our volunteer ushers have completed training and certification in best practices when assisting individuals with autism, autism spectrum disorder, and sensory sensitivities.

Sensory-Friendly / Relaxed Performances

The Valentine Theatre’s Weekend Family Series is now sensory-friendly.  Sensory-Friendly/Relaxed performances are for everyone and include minor accommodations for patrons with autism spectrum disorders or other sensory sensitivities. The performances provide an opportunity for all families to enjoy a live theatre performance together in a relaxed, inclusive environment. Modifications typically available at Sensory-Friendly / Relaxed Performances:


  • Mitigation of sudden, loud sounds.

  • Low-level lighting throughout the performance

  • Patrons are welcome to talk, sing, and move throughout the performance

  • Quiet retreat space in our Founder’s Room (located off the Grand (mural) Lobby) with soft seating and relaxing activities

  • Families are encouraged to bring their own calming and motivational systems for their child(ren)

  • A limited number of fidgets and headphones are available to borrow from the Box Office


Americans with Disabilities Act and Ohio law

In compliance with the Americans with Disabilities Act and Ohio law, the producer of the performance, as the renter of the Valentine theatre, has agreed to provide services for the visually impaired and hearing impaired, if requested by patrons. We recommend you notify the Valentine Theatre of the need for an audio describer or sign language interpreter, or any other assistive service, at the time you place your ticket order, at the latest, since these services can take a significant amount of time to arrange. The Valentine theatre will notify the renter of the theatre of the request, which bears sole responsibility for providing these services. The Valentine Theatre is also wheelchair accessible.

close up of valentine seating
cac logo

In October 2022, the Valentine was designated a Certified Autism CenterTM through The International Board of Credentialing and Continuing Education Standards (IBCCES), a global leader in online training and certification programs.

Assistive Listening Devices

We have assistive listening devices available through our Box Office.

Wheelchair Accessibility

The Valentine Theatre is handicap accessible with designated seating on the main (first) floor of the theatre and the balcony. All floors are accessible by elevator, and handicap accessible restrooms are located on the main floor and balcony.

Accessibility

The Valentine Theatre is committed to presenting performances that are accessible, inclusive, and welcoming to all patrons.  In October 2022, the Valentine was designated a Certified Autism CenterTM through The International Board of Credentialing and Continuing Education Standards (IBCCES), a global leader in online training and certification programs. Our staff and many of our volunteer ushers have completed training and certification in best practices when assisting individuals with autism, autism spectrum disorder, and sensory sensitivities.

Sensory-Friendly / Relaxed Performances

The Valentine Theatre’s Weekend Family Series is now sensory-friendly.  Sensory-Friendly/Relaxed performances are for everyone and include minor accommodations for patrons with autism spectrum disorders or other sensory sensitivities. The performances provide an opportunity for all families to enjoy a live theatre performance together in a relaxed, inclusive environment. Modifications typically available at Sensory-Friendly / Relaxed Performances:


  • Mitigation of sudden, loud sounds.

  • Low-level lighting throughout the performance

  • Patrons are welcome to talk, sing, and move throughout the performance

  • Quiet retreat space in our Founder’s Room (located off the Grand (mural) Lobby) with soft seating and relaxing activities

  • Families are encouraged to bring their own calming and motivational systems for their child(ren)

  • A limited number of fidgets and headphones are available to borrow from the Box Office


Americans with Disabilities Act and Ohio law

In compliance with the Americans with Disabilities Act and Ohio law, the producer of the performance, as the renter of the Valentine theatre, has agreed to provide services for the visually impaired and hearing impaired, if requested by patrons. We recommend you notify the Valentine Theatre of the need for an audio describer or sign language interpreter, or any other assistive service, at the time you place your ticket order, at the latest, since these services can take a significant amount of time to arrange. The Valentine theatre will notify the renter of the theatre of the request, which bears sole responsibility for providing these services. The Valentine Theatre is also wheelchair accessible.

close up of valentine seating
cac logo

In October 2022, the Valentine was designated a Certified Autism CenterTM through The International Board of Credentialing and Continuing Education Standards (IBCCES), a global leader in online training and certification programs.

Assistive Listening Devices

We have assistive listening devices available through our Box Office.

Wheelchair Accessibility

The Valentine Theatre is handicap accessible with designated seating on the main (first) floor of the theatre and the balcony. All floors are accessible by elevator, and handicap accessible restrooms are located on the main floor and balcony.

Location

The Valentine Theatre is located at 410 Adams Street, Toledo, OH 43604 on the corner of Superior Street and Adams Street in the heart of downtown Toledo.

Parking

There are several parking lots within one block of the Theatre. The Downtown Parking Authority operates two garages, one on Superior Street south of Adams Street, and a third on Superior Street north of Jackson Street (The Vistula Garage). ReuPark operates the surface lot across Superior Street from the Theatre. The Ampco garage is located on St. Clair Street (one block east of the Theatre) in the Four SeaGate Building. Special Event rates for Valentine shows will be in effect at these lots. Free parking is available at meters on the street after 5 p.m. weekdays and all day on weekends.

valentine entry photo

From I-75 Northbound

Take the Downtown Toledo Exit. Turn left at light and go North on Erie Street to Adams Street (5 blocks). Turn right on Adams Street to Superior Street (2 blocks). The Theatre is located on the Northeast corner.

From I-75 Southbound

Take the Washington Street / Downtown Toledo Exit. Turn right at the second light onto Washington Street. Take Washington East to Erie Street (3 blocks). Turn left at light and go North on Erie Street to Adams Street (5 blocks). Turn right on Adams Street to Superior Street (2 blocks). Theatre is located on the Northeast corner.

Location

The Valentine Theatre is located at 410 Adams Street, Toledo, OH 43604 on the corner of Superior Street and Adams Street in the heart of downtown Toledo.

Parking

There are several parking lots within one block of the Theatre. The Downtown Parking Authority operates two garages, one on Superior Street south of Adams Street, and a third on Superior Street north of Jackson Street (The Vistula Garage). ReuPark operates the surface lot across Superior Street from the Theatre. The Ampco garage is located on St. Clair Street (one block east of the Theatre) in the Four SeaGate Building. Special Event rates for Valentine shows will be in effect at these lots. Free parking is available at meters on the street after 5 p.m. weekdays and all day on weekends.

valentine entry photo

From I-75 Northbound

Take the Downtown Toledo Exit. Turn left at light and go North on Erie Street to Adams Street (5 blocks). Turn right on Adams Street to Superior Street (2 blocks). The Theatre is located on the Northeast corner.

From I-75 Southbound

Take the Washington Street / Downtown Toledo Exit. Turn right at the second light onto Washington Street. Take Washington East to Erie Street (3 blocks). Turn left at light and go North on Erie Street to Adams Street (5 blocks). Turn right on Adams Street to Superior Street (2 blocks). Theatre is located on the Northeast corner.

Location

The Valentine Theatre is located at 410 Adams Street, Toledo, OH 43604 on the corner of Superior Street and Adams Street in the heart of downtown Toledo.

Parking

There are several parking lots within one block of the Theatre. The Downtown Parking Authority operates two garages, one on Superior Street south of Adams Street, and a third on Superior Street north of Jackson Street (The Vistula Garage). ReuPark operates the surface lot across Superior Street from the Theatre. The Ampco garage is located on St. Clair Street (one block east of the Theatre) in the Four SeaGate Building. Special Event rates for Valentine shows will be in effect at these lots. Free parking is available at meters on the street after 5 p.m. weekdays and all day on weekends.

valentine entry photo

From I-75 Northbound

Take the Downtown Toledo Exit. Turn left at light and go North on Erie Street to Adams Street (5 blocks). Turn right on Adams Street to Superior Street (2 blocks). The Theatre is located on the Northeast corner.

From I-75 Southbound

Take the Washington Street / Downtown Toledo Exit. Turn right at the second light onto Washington Street. Take Washington East to Erie Street (3 blocks). Turn left at light and go North on Erie Street to Adams Street (5 blocks). Turn right on Adams Street to Superior Street (2 blocks). Theatre is located on the Northeast corner.

Mural

In 1999, a group of Valentine Board Members and staff decided to pay homage to the thousands of performers who appeared on the Valentine stage during the early years of live performances (1895 to 1920). After 12 months of research, the artist assembled the cast of characters who would appear in this work. In 2003, Paul Geiger stretched 68'6" of canvas 10 feet high in his studio. This project is the largest public painting ever installed in Toledo.

From the Artist

This has been a dream job. I was essentially given a creative blank check. I was never told what to do or who or what to paint. Never, did anyone say to take that person out, put this person in. Do this, change that. It wouldn’t really be possible to make it any larger, but I was never told to make it smaller . . . though some times I wish I had been. The cast of characters portrayed was also left up to me. I decided early on to restrict myself to people that only played the Theatre during its first heyday of 1895-1917. If I could not validate their appearance at the Theatre, I didn’t include them. I could not prove that Geraldine Farrar was here with the Metropolitan Opera, or that Mae West was in an Al Jolson chorus line. Martha Graham, unfortunately joined the Denishawn dancers a year too late, in 1918. So they didn’t pass the audition.

The work of a few of the performers I was familiar with. Others I had only heard of. The majority, however, were total strangers to me. Dusty, distant and colorless. I didn’t want to do a series of mug-shots or simply copy heads as I found them in photographs. I wanted my people to interact with one another and have some basis in historical fact for their interaction, no matter how tenuous or trivial. I wanted to convey the sense of a story or a narrative unfolding. This greatly increased the projects degree of difficulty, but made, I believe, for a richer viewing experience.

I chose my cast of characters based on a number of things. There were obvious, well-known choices like the three Barrymores, W. C. Fields, Will Rogers, Houdini and George M. Cohan. Others were lesser know but were included because of their association to some of these more enduring characters. Some had local ties like the producer Charles Frohman who was born in Sandusky. Others were personal favorites of mine. Like Winsor McCay who created the comic strip “Little Nemo in Slumberland” and the first animated movie called “Gertie, the Dinosaur.” I was thrilled to learn that he appeared at the Valentine Theatre, and, perhaps the only drawing of him actually doing his vaudeville act, was made by a “Blade” staff artist. Others, I included because I felt a personal kinship with them, respected their work ethic or was touched by the drama of their lives. One such figure was the tempestuous Jeanne Eagels who preferred the company of stagehands to her fellow stars, and, who, even when destitute, wouldn’t take a role unless she thought it worthy of herself and believed she could do it justice. These were ALL extremely talented people, living extraordinary lives. I hope I have conveyed the way dusty black and white photos became, for me, vivid, colorful, living and breathing people.

For me the painting exists to entertain more than to inform. To engage rather than to educate. If it ends up doing all of these, even better. What I most want it to do is convey a certain spirit. There are several anonymous figures in the painting who play supporting roles in simply creating a sense of back-stage activity.

I was not trained as a painter. I have never even watched someone else squeeze paint from a tube. Nor am I a portrait artist. So I was finding my way as I went along. There were missteps, backtracking and never-ending refinements. Creation is rarely a linear process. In this case it was labyrinthine. Working with people who understood the complexities of the creative process and that art often takes time was wonderful. I cannot thank the committee enough for their patience.

What I find most satisfying about this project is that it was a private initiative by Toledo citizens, paid for with a wide variety of private donations from a large group of Toledoans and painted by a Toledo artist.

mural detail photo

Mural

In 1999, a group of Valentine Board Members and staff decided to pay homage to the thousands of performers who appeared on the Valentine stage during the early years of live performances (1895 to 1920). After 12 months of research, the artist assembled the cast of characters who would appear in this work. In 2003, Paul Geiger stretched 68'6" of canvas 10 feet high in his studio. This project is the largest public painting ever installed in Toledo.

From the Artist

This has been a dream job. I was essentially given a creative blank check. I was never told what to do or who or what to paint. Never, did anyone say to take that person out, put this person in. Do this, change that. It wouldn’t really be possible to make it any larger, but I was never told to make it smaller . . . though some times I wish I had been. The cast of characters portrayed was also left up to me. I decided early on to restrict myself to people that only played the Theatre during its first heyday of 1895-1917. If I could not validate their appearance at the Theatre, I didn’t include them. I could not prove that Geraldine Farrar was here with the Metropolitan Opera, or that Mae West was in an Al Jolson chorus line. Martha Graham, unfortunately joined the Denishawn dancers a year too late, in 1918. So they didn’t pass the audition.

The work of a few of the performers I was familiar with. Others I had only heard of. The majority, however, were total strangers to me. Dusty, distant and colorless. I didn’t want to do a series of mug-shots or simply copy heads as I found them in photographs. I wanted my people to interact with one another and have some basis in historical fact for their interaction, no matter how tenuous or trivial. I wanted to convey the sense of a story or a narrative unfolding. This greatly increased the projects degree of difficulty, but made, I believe, for a richer viewing experience.

I chose my cast of characters based on a number of things. There were obvious, well-known choices like the three Barrymores, W. C. Fields, Will Rogers, Houdini and George M. Cohan. Others were lesser know but were included because of their association to some of these more enduring characters. Some had local ties like the producer Charles Frohman who was born in Sandusky. Others were personal favorites of mine. Like Winsor McCay who created the comic strip “Little Nemo in Slumberland” and the first animated movie called “Gertie, the Dinosaur.” I was thrilled to learn that he appeared at the Valentine Theatre, and, perhaps the only drawing of him actually doing his vaudeville act, was made by a “Blade” staff artist. Others, I included because I felt a personal kinship with them, respected their work ethic or was touched by the drama of their lives. One such figure was the tempestuous Jeanne Eagels who preferred the company of stagehands to her fellow stars, and, who, even when destitute, wouldn’t take a role unless she thought it worthy of herself and believed she could do it justice. These were ALL extremely talented people, living extraordinary lives. I hope I have conveyed the way dusty black and white photos became, for me, vivid, colorful, living and breathing people.

For me the painting exists to entertain more than to inform. To engage rather than to educate. If it ends up doing all of these, even better. What I most want it to do is convey a certain spirit. There are several anonymous figures in the painting who play supporting roles in simply creating a sense of back-stage activity.

I was not trained as a painter. I have never even watched someone else squeeze paint from a tube. Nor am I a portrait artist. So I was finding my way as I went along. There were missteps, backtracking and never-ending refinements. Creation is rarely a linear process. In this case it was labyrinthine. Working with people who understood the complexities of the creative process and that art often takes time was wonderful. I cannot thank the committee enough for their patience.

What I find most satisfying about this project is that it was a private initiative by Toledo citizens, paid for with a wide variety of private donations from a large group of Toledoans and painted by a Toledo artist.

mural detail photo

Mural

In 1999, a group of Valentine Board Members and staff decided to pay homage to the thousands of performers who appeared on the Valentine stage during the early years of live performances (1895 to 1920). After 12 months of research, the artist assembled the cast of characters who would appear in this work. In 2003, Paul Geiger stretched 68'6" of canvas 10 feet high in his studio. This project is the largest public painting ever installed in Toledo.

From the Artist

This has been a dream job. I was essentially given a creative blank check. I was never told what to do or who or what to paint. Never, did anyone say to take that person out, put this person in. Do this, change that. It wouldn’t really be possible to make it any larger, but I was never told to make it smaller . . . though some times I wish I had been. The cast of characters portrayed was also left up to me. I decided early on to restrict myself to people that only played the Theatre during its first heyday of 1895-1917. If I could not validate their appearance at the Theatre, I didn’t include them. I could not prove that Geraldine Farrar was here with the Metropolitan Opera, or that Mae West was in an Al Jolson chorus line. Martha Graham, unfortunately joined the Denishawn dancers a year too late, in 1918. So they didn’t pass the audition.

The work of a few of the performers I was familiar with. Others I had only heard of. The majority, however, were total strangers to me. Dusty, distant and colorless. I didn’t want to do a series of mug-shots or simply copy heads as I found them in photographs. I wanted my people to interact with one another and have some basis in historical fact for their interaction, no matter how tenuous or trivial. I wanted to convey the sense of a story or a narrative unfolding. This greatly increased the projects degree of difficulty, but made, I believe, for a richer viewing experience.

I chose my cast of characters based on a number of things. There were obvious, well-known choices like the three Barrymores, W. C. Fields, Will Rogers, Houdini and George M. Cohan. Others were lesser know but were included because of their association to some of these more enduring characters. Some had local ties like the producer Charles Frohman who was born in Sandusky. Others were personal favorites of mine. Like Winsor McCay who created the comic strip “Little Nemo in Slumberland” and the first animated movie called “Gertie, the Dinosaur.” I was thrilled to learn that he appeared at the Valentine Theatre, and, perhaps the only drawing of him actually doing his vaudeville act, was made by a “Blade” staff artist. Others, I included because I felt a personal kinship with them, respected their work ethic or was touched by the drama of their lives. One such figure was the tempestuous Jeanne Eagels who preferred the company of stagehands to her fellow stars, and, who, even when destitute, wouldn’t take a role unless she thought it worthy of herself and believed she could do it justice. These were ALL extremely talented people, living extraordinary lives. I hope I have conveyed the way dusty black and white photos became, for me, vivid, colorful, living and breathing people.

For me the painting exists to entertain more than to inform. To engage rather than to educate. If it ends up doing all of these, even better. What I most want it to do is convey a certain spirit. There are several anonymous figures in the painting who play supporting roles in simply creating a sense of back-stage activity.

I was not trained as a painter. I have never even watched someone else squeeze paint from a tube. Nor am I a portrait artist. So I was finding my way as I went along. There were missteps, backtracking and never-ending refinements. Creation is rarely a linear process. In this case it was labyrinthine. Working with people who understood the complexities of the creative process and that art often takes time was wonderful. I cannot thank the committee enough for their patience.

What I find most satisfying about this project is that it was a private initiative by Toledo citizens, paid for with a wide variety of private donations from a large group of Toledoans and painted by a Toledo artist.

mural detail photo
wide angle of mural
wide angle of mural
wide angle of mural
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail
  • valentine mural detail

Studio A

A black box theatre (or experimental theatre) consists of a simple, somewhat unadorned performance space, usually a large square room with black walls and a flat floor. It is a relatively recent innovation in theatre. Thanks to a monetary gift from The Andersons, we now have our very own intimate 100 seat capacity black box theatre adjacent to The Valentine at 410 Adams Street.


studio a production photo

Studio A

A black box theatre (or experimental theatre) consists of a simple, somewhat unadorned performance space, usually a large square room with black walls and a flat floor. It is a relatively recent innovation in theatre. Thanks to a monetary gift from The Andersons, we now have our very own intimate 100 seat capacity black box theatre adjacent to The Valentine at 410 Adams Street.


studio a production photo

Studio A

A black box theatre (or experimental theatre) consists of a simple, somewhat unadorned performance space, usually a large square room with black walls and a flat floor. It is a relatively recent innovation in theatre. Thanks to a monetary gift from The Andersons, we now have our very own intimate 100 seat capacity black box theatre adjacent to The Valentine at 410 Adams Street.


studio a production photo

The Valentine Theatre
410 Adams Street
Toledo, Ohio 43604-1402

419.242.2787

Box Office:
10:00 a.m. through 4:00 p.m. Monday through Friday

Copyright © The Valentine Theatre 2025. All rights reserved.

Special Notice

The Valentine Theatre does NOT endorse using ANY secondary ticketing sources (ie., "scalpers" online or in person). Our Box Office cannot resolve any issues involving them, such as lost or fake tickets. Tickets for ALL of our shows are sold through ETIX.COM ONLINE or IN PERSON or ON THE PHONE at the Valentine Box Office. Valentine Theatre has the right to CANCEL ANY ticket transactions that are suspected of being purchased for the sole purpose of reselling"

The Valentine Theatre
410 Adams Street
Toledo, Ohio 43604-1402

419.242.2787

Box Office:
10:00 a.m. through 4:00 p.m. Monday through Friday

Copyright © The Valentine Theatre 2025. All rights reserved.

Special Notice

The Valentine Theatre does NOT endorse using ANY secondary ticketing sources (ie., "scalpers" online or in person). Our Box Office cannot resolve any issues involving them, such as lost or fake tickets. Tickets for ALL of our shows are sold through ETIX.COM ONLINE or IN PERSON or ON THE PHONE at the Valentine Box Office. Valentine Theatre has the right to CANCEL ANY ticket transactions that are suspected of being purchased for the sole purpose of reselling"

The Valentine Theatre
410 Adams Street
Toledo, Ohio 43604-1402

419.242.2787

Box Office:
10:00 a.m. through 4:00 p.m. Monday through Friday

Copyright © The Valentine Theatre 2025. All rights reserved.

Special Notice

The Valentine Theatre does NOT endorse using ANY secondary ticketing sources (ie., "scalpers" online or in person). Our Box Office cannot resolve any issues involving them, such as lost or fake tickets. Tickets for ALL of our shows are sold through ETIX.COM ONLINE or IN PERSON or ON THE PHONE at the Valentine Box Office. Valentine Theatre has the right to CANCEL ANY ticket transactions that are suspected of being purchased for the sole purpose of reselling"